100 Essential Film Scores of the 20th Century
Selected by Roger Hall
Managing Editor, Film Music Review
Member of the International Film Music Critics Association
Preparing any survey of film scores presents a difficult problem.
Which ones to choose and which ones to leave out?
This is not meant to be the definitive film score list. I don’t believe that is possible. Tastes change over time.
This survey is meant to be representative of 100 essential scores
from films in English. No foreign language films are included.
It covers 60 years from 1933 to 1993.
More than 50% of the titles are in the so-called Golden Age (1930s-1950s). Many believe that the most respected and beloved films were made during those three decades. Of course there have been significant films made in other decades as well, only not as many.
Naturally some people may not agree with my choices. It is not possible to please everyone. There are fans of individual composers who would probably pick just about every film score by one composer.
There are three composers of the mid to late 20th century which have been given more titles because they provided the most memorable film scores: Elmer Bernstein, Jerry Goldsmith and John Williams. This doesn’t mean that other film composers are unworthy and more of them would be on a longer list.
It was a very difficult task to select these film scores. Only the Top Twenty are listed in order of my choice.
All the others are listed alphabetically and are a matter of opinion — mine.
Each film score was chosen as representative of significant originality more than just their popularity with audiences over the years.
The only series to make this list were for STAR WARS, with two films listed.
All the numbers have film title, date, and the film composer’s name.
Click on the underlined links for CD reviews.
This list was first posted June 2006 and has been revised every year.
Latest update: December 2022
Top Twenty Film Scores:
20. CLOSE ENCOUNTERS OF THE THIRD KIND (1977) – John Williams
19. PATTON (1970) – Jerry Goldsmith
18. +CHINATOWN (1974)- Jerry Goldsmith
17. +THE MAGNIFICENT SEVEN (1960)– Elmer Bernstein
16. THE GHOST AND MRS. MUIR (1946)– Bernard Herrmann.
15. SCHINDLER’S LIST (1993) — John Williams
14. +PSYCHO (1960) — Bernard Herrmann
13. CASABLANCA (1942) — Max Steiner
12. THE SONG OF BERNADETTE (1943) — Alfred Newman
11. +GONE WITH THE WIND (1939) — Max Steiner
10. +LAURA (1944) — David Raksin
9. +THE ADVENTURES OF ROBIN HOOD (1938) — Erich Wolfgang Korngold
8. SPARTACUS (1960) — Alex North
7. +HIGH NOON (1952) — Dimitri Tiomkin
6. THE BEST YEARS OF OUR LIVES (1946) — Hugo Friedhofer
5. +KING KONG (1933) — Max Steiner
4. +TO KILL A MOCKINGBIRD (1962) — Elmer Bernstein
3. +VERTIGO (1958) — Bernard Herrmann
2. +BEN-HUR (1959) — Miklos Rozsa
+ = American Film Institute’s 100 Years of Film Scores – Top 25
And the top film score chosen is from what is regarded by many
as the greatest American film – starring, co-written, and directed by Orson Welles
with the incredible first film score by one of the best film composers from the past.
My choice for the Top Film Score of the 20th Century is…
1. CITIZEN KANE (1941) — Bernard Herrmann
Remaining 80 film scores listed in alphabetical order:
THE ALAMO (1960) – Dimitri Tiomkin
ALL THAT MONEY CAN BUY (aka: THE DEVIL AND DANIEL WEBSTER)(1941) – Bernard Herrmann
AROUND THE WORLD IN 80 DAYS (1956) – Victor Young
AVALON (1990) – Randy Newman
THE BAD AND THE BEAUTIFUL (1952) – David Raksin
BATMAN (1989) – Danny Elfman
THE BIG COUNTRY (1958) – Jerome Moross
BREAKFAST AT TIFFANY’S (1961) – Henry Mancini
THE BRIDE OF FRANKENSTEIN (1935) — Franz Waxman
CLEOPATRA (1963) — Alex North
DANCES WITH WOLVES (1990) – John Barry
DAYS OF WINE AND ROSES (1962) – Henry Mancini
THE DAY THE EARTH STOOD STILL (1951) – Bernard Herrmann
THE DIARY OF ANNE FRANK (1959) – Alfred Newman
DOCTOR ZHIVAGO (1965) – Maurice Jarre
DOUBLE INDEMNITY (1944) – Miklos Rozsa
DUEL IN THE SUN (1946) – Dimitri Tiomkin
EL CID (1961) – Miklos Rozsa
+E.T.: THE EXTRA-TERRESTRIAL (1982) – John Williams
FAHRENHEIT 451 (1966) – Bernard Herrmann [20]
FALL OF THE ROMAN EMPIRE (1964) – Dimitri Tiomkin
FIELD OF DREAMS (1989) – James Horner
+THE GODFATHER (1972)– Nino Rota
GOLDFINGER (1964) — John Barry
THE GREATEST STORY EVER TOLD (1965) — Alfred Newman
HATARI (1960) – Henry Mancini
HAWAII (1966) – Elmer Bernstein
THE HEIRESS (1949) – Aaron Copland
HOW GREEN WAS MY VALLEY (1940) — Alfred Newman
+HOW THE WEST WAS WON (1963) — Alfred Newman and Ken Darby [30]
THE HURRICANE (1937) — Alfred Newman
THE INFORMER (1935) — Max Steiner
ISLANDS IN THE STREAM (1976) – Jerry Goldsmith
IT’S A WONDERFUL LIFE (1946) – Dimitri Tiomkin
IVANHOE (1952) – Miklos Rozsa
+JAWS (1975) – John Williams
JURASSIC PARK (1993) – John Williams
KING OF KINGS (1961) – Miklos Rozsa
KINGS ROW (1942) – Erich Wolfgang Korngold
+LAWRENCE OF ARABIA (1962) – Maurice Jarre [40]
THE MAN WITH THE GOLDEN ARM (1955) – Elmer Bernstein
MYSTERIOUS ISLAND (1961) – Bernard Herrmann
THE NATURAL (1984) — Randy Newman
NORTH BY NORTHWEST (1959) – Bernard Herrmann
NOW VOYAGER (1942) — Max Steiner
OBSESSION (1975) – Bernard Herrmann
THE OMEN (1976) — Jerry Goldsmith
+ON THE WATERFRONT (1954) – Leonard Bernstein
+OUT OF AFRICA (1985) — John Barry
OUR TOWN (1940) – Aaron Copland [50]
PLYMOUTH ADVENTURE (1952) – Miklos Rozsa
THE QUIET MAN (1952) — Victor Young
QUO VADIS (1951) – Miklos Rozsa
+THE PINK PANTHER (1964) — Henry Mancini
A PLACE IN THE SUN (1951) – Franz Waxman
+PLANET OF THE APES (1968) – Jerry Goldsmith
RAINTREE COUNTY (1957) – Johnny Green
RED RIVER (1948) – Dimitri Tiomkin
THE RED PONY (1949) – Aaron Copland
RIO BRAVO (1959) – Dimitri Tiomkin [60]
THE RUSSIA HOUSE (1990) – Jerry Goldsmith
THE SAND PEBBLES (1966) – Jerry Goldsmith
THE SEARCHERS (1956) – Max Steiner
THE SEA HAWK (1941) — Erich Wolfgang Korngold
SHANE (1953) – Victor Young
SINCE YOU WENT AWAY (1944) — Max Steiner
SPELLBOUND (1945) – Miklos Rozsa
+STAR WARS: A NEW HOPE (1977) – John Williams
STAR WARS: THE EMPIRE STRIKES BACK (1980) – John Williams
+A STREETCAR NAMED DESIRE (1951) — Alex North [70]
SUMMER AND SMOKE (1961) — Elmer Bernstein
+SUNSET BOULEVARD (1950) – Franz Waxman
SUPERMAN (1978) – John Williams
TARAS BULBA (1962) – Franz Waxman
+THE MISSION (1985) – Ennio Morricone
THE TEN COMMANDMENTS (1956) – Elmer Bernstein
THE THIEF OF BAGDAD (1940) – Miklos Rozsa
THE TREASURE OF THE SIERRA MADRE (1948) — Max Steiner
TRUE GRIT (1969) – Elmer Bernstein
WUTHERING HEIGHTS (1939) — Alfred Newman [80]
+ = American Film Institute’s “100 Years of Film Scores – Top 25”
By Decade:
1930s = 6
1940s = 23
1950s = 23
1960s = 27
1970s = 9
1980s = 6
1990s = 6
Film composers with 3 or more scores on the Essential Film Scores list:
Bernard Herrmann = 10
Miklos Rozsa = 8
Max Steiner = 8
John Williams = 8
Elmer Bernstein = 7
Jerry Goldsmith = 7
Alfred Newman = 7
Dimitri Tiomkin = 7
Henry Mancini = 4
Franz Waxman = 4
John Barry = 3
Erich Wolfgang Korngold = 3
Aaron Copland = 3
Alex North = 3
Victor Young = 3
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