Film Music in Focus 7
The Film
[In Memory of Jennifer Jones, 1919-2009]
THE SONG OF BERNADETTE (1943) is one of the greatest religious dramas ever filmed in Hollywood. Though it tells a religious story, you don’t have to be religious to be moved by this inspiring portrayal. It is one of the few Hollywood films that can be called an artistic masterpiece.
Starring a young Jennifer Jones in her first major starring role and winning a much deserved Oscar for Best Actress of the Year, this is a film of rare sensitivity and great restraint. Jennifer Jones is positively radiant in her role of an innocent young French girl who sees a vision in a Grotto (a highlight in the film and greatly enhanced by Alfred Newman’s masterful music). Also in the stellar cast are Charles Bickford, Lee J. Cobb, Gladys Cooper, Vincent Price, Anne Revere as Bernadette’s mother and the underrated Roman Bohnin as Bernadette’s father. If you have not watched this film I would recommend you do if you want to be both entertained and enthralled with this inspiring story of innocence and devotion. It is a long film but well worth staying with it. Keep in mind that Alfred Newman’s great score is a major reason why this film is so moving and beautifully conveys the “song” of Bernadette.
— Roger Hall, Film Music Review
The Score
Here is the Retro Review for the Premiere release of Alfred Newman’s complete recording of his Oscar-winning score:
Editor’s Choice – Best of the Month for July 1999
THE SONG OF BERNADETTE (1943)
Total Time: CD 1 = 59:22; CD 2 = 45:28
Original Motion Picture Soundtrack. Music composed and conducted by Alfred Newman.
Produced by Nick Redman and Rick Victor.
Produced by Nick Redman and Rick Victor.
Rating: **** (Superlative)
CD 1 Titles:
1. Overture
2. Prelude and Early Dawn
3. The Day Begins
4. The Vision
5. I Saw a Lady
6. The Betrayal
7. Good Fortunes
8. A Mother’s Love
9. The Grotto
10. From Her Very Depths
11. The Officials
12. A Father’s Promise
13. The Reverend
14. The Directives
15. The Spring
CD 2 Titles:
1. The Miracle
2. Rumors of Healing
3. Immaculate Conception
4. You’re Playing with Fire
5. Load Well Your Guns
6. Commission Convenes
7. Destiny
8. The Farewell
9. The Spring is Not For me
10. Your Life Begins
11. Exit Music
Bonus Tracks:
12. Commission Convenes (Alternate)
13. Unused Cut #1
14. Unused Cut #2
15. Unused Cut #3
With the possible exception of Miklos Rozsa, nobody could score a religious film better than Alfred Newman (1901-1970). Just think of his scores for such films as THE ROBE and THE GREATEST STORY EVER TOLD (named one of 1998’s Top Ten best soundtrack releases).
Now here is the one which Alfred Newman favored above all his others, and for which he received his first Oscar for a dramatic score. He still holds the record for most Oscars with nine to his credit, although most of them are for film musical adaptations.
THE SONG OF BERNADETTE was one of the most successful 20th Century Fox films of the early 1940’s, taking in 5 million dollars. To signal the prestige of this high-minded film, there were full page ads in national magazines, including a beautiful drawing by the great American illustrator, Norman Rockwell. For the original reserved seat roadshow release in 1943, an Overture was composed by Alfred Newman. That Overture (track 1, 6:48) is now available for the first time in complete form. In 1973, legendary conductor Charles Gerhardt only recorded part of this Overture on the RCA Classic Film Score Series, Captain from Castille: The Classic Film Music of Alfred Newman.
Newman’s heartfelt music sensitively accompanies the story of Bernadette Soubirous (who actually died in 1879), a poor young girl who sees a vision of the Virgin Mary (or “beautiful lady”) in a grotto. The story takes place in 1858 in southern France.
After several tracks which set the scenes for the beginning of another day (tracks 2 and 3), then comes the cue that sets the stage for the whole film, “The Vision” (track 4, 4:15). This is probably the best known theme from the entire score and justly deserves its fame. In his notes to the Gerhardt recording, Page Cook explained it quite succinctly when he wrote that “the cue for the music was to be found in the little gusts of wind, the rustling rosebush, the tiny disturbances of nature that accompanied the vision – all of this to grow into a swelling climax as the audience sees the vision.” The use of high strings and wordless chorus lends a most impressive spiritual intensity to “The Vision,” which Royal Brown wrote years ago sounded similar to the Sibelius Fifth Symphony. Among other memorable cues on CD 1 are those for “The Grotto” (track 9) and “The Spring” (track 15) with chorus singing Sancta Maria.
As for CD 2, there is more of the same beautiful music, with two versions of “Commission Convenes” (tracks 6 and 12). Unfortunately, there is no explanation where the three unused cues at the end of CD 2 were to be used in the film, if it is known at all.
For their age, these mono recordings conducted by Alfred Newman sound surprisingly good. This score was only the second one to be issued on 78 RPM records (about 24 minutes on 4 records). The first film music release was Rozsa’s THE JUNGLE BOOK, which included dialogue.
This new 2-CD release of THE SONG OF BERNADETTE is far superior, as Jon Burlingame states in his excellent notes: “complete, unexpurgated and precisely as it was first recorded by the finest conductor in the history of Hollywood. Rarely has music so memorably illuminated the power of faith.”
To that truthful statement, I can only add — Amen.
One of the most inspiring films ever produced in Hollywood and Alfred Newman’s greatest film score masterpiece.
This CD release is a must for any film music fan of the Golden Age.
Highest recommendation.
— Roger Hall, July 1999